MUGHAL GARDENS
Nishat Bagh's exceptional quality lies therefore in its setting, the complex terraced layout, the play of water cascades, the views it offers, and its ecology. Length-wise, the garden consists of twelve terraces, supposedly symbolizing the twelve signs of the zodiac. The width of the garden consists of seven linear sections, which make up three main sections; a central wing with the main water features and two lower laying side wings. The terraces in the garden rise not only from the Dal Lake up the mountain side, along the length of the garden, but also along its width from the side wings to the central channel axis. The sophisticated geometrical manner by which the chahar bagh concept and terraces have been adapted to the contours of the mountainside contribute towards making Nishat Bagh one of the finest representations of traditional chahar bagh garden layouts spread across the Islamic world.
Shalimar Bagh is more ostentatious in architectural quality when compared with its other parallels in Kashmir. Almost all the terrace edges at the Shalimar Bagh have something interesting to offer in the form of pavilions, pools, or water cascades. The whole texture of the garden, in fact, is a result of the relationship of the garden's built and landscaped environment. The scale and decorations of the buildings, however, seem to have been intentionally underplayed by the Mughals to avoid offering competition with the overarching natural beauty that surrounds the garden. The two most important structures within the Shalimar Bagh are the Pink Pavilion, in the Diwan-i-Aam zone of the garden, and the Black Pavilion, located in the Diwan-i-Khas. Considering that there was not much building activity by the Mughals in Kashmir, compared to the rest of India, these structures offer a rare opportunity to witness Mughal architecture in this region. The Pink Pavilion is located over the water channel of the second terrace. It is a rectangular open pavilion constructed in traditional badshahi bricks. The significant architectural details of the Pavilion comprise the papier mache ceilings, the carved columns, brackets and railings made of stone.
The garden was developed on the orders of Emperor Shah Jahan in 1632 by Ali Mardan Khan around an abundant spring emerging from the slopes of the Zabarwan Mountains. The waters of the spring are renowned for their cool and rejuvenating qualities.
Chashma Shahi, oriented on the north-south axis, the garden is arranged on three ascending terraces. The total area within the rectangular garden perimeter is approximately 1.73 acres with a width of 70.83 m and length of 122.81 m, approximately. The spring is sheltered under a pavilion which is of a later Kashmiri period. The water from the spring, located at the uppermost edge of the garden, is led through narrow water channels that drop sharply in the form of cascades to successive lower terrace levels. The defining feature of this garden is its very high terraces and strong Mughal character of its gateway, cascades and retaining walls.
Pari Mahal has a domed ceiling with gardens laid out on six terraces around. Arched retaining walls support the terraces, which vary in width. The garden is 122 m by 62.5 m at its widest. The terraces can be accessed via sets of steps on their corners. A pavilion or baradari can be found on the fourth terrace and another one connects the fifth and sixth terrace. The garden is entered from the fourth terrace where there are a series of entrance buildings, which are believed to have contained a hamman.
The gardens are said to have been watered by a nearby spring. There are water tanks on the terraces, but unlike most Mughal Gardens in Kashmir, the garden contains no water channels and cascades (chadars) that feed the water tanks. Instead water is supplied through a system of underground pipes
